Vocabulary
The words people use in the room.
Contact Improvisation has its own working language. None of it is required to dance, but knowing it makes the first jam far less opaque.
The core Contact Improvisation (CI) vocabulary is: contact (the point where two bodies touch), weight sharing (giving and receiving body weight), the small dance (the standing practice that opens a session, following the body's micro-adjustments rather than holding still), a score (a stated constraint), the jam (an open unguided session) and spotting (standing ready to catch a fall).
Terms people use in a jam
The working vocabulary of Contact Improvisation, in one sentence each. None of it is required to dance; knowing it makes the first jam far less opaque.
Contact Improvisation (CI)
A partnered dance form in which two or more dancers improvise around shifting points of physical contact, sharing weight and following gravity, momentum and impulse.
Jam
An open, unguided session where anyone present can dance. No teacher, little or no music, an edge to sit and watch.
Score
A stated constraint that gives an improvisation a shape, such as dancing only below the hips, or following the point of contact without interrupting it.
Small dance
Small dance is the standing practice that opens a session: you stand still and follow the micro-adjustments the body makes to stay upright, rather than trying to hold still.
Weight sharing
Deliberately giving part or all of your weight to a partner and taking theirs, with the support of the skeleton and the floor rather than muscle. It is the core mechanic of the form: one dancer gives weight, the other receives it, and the roles trade continuously.
Spotting
Standing ready, hands free, near a dancing pair, so that if a fall goes wrong there is someone in reach to slow it.
Underscore
A long-form group score developed by Nancy Stark Smith, moving through around twenty named phases and used to shape an entire practice session or festival.
Landing
Arriving on the floor from a fall or a lift, usually by rolling through the contact point so the floor takes the weight progressively.
Solo
Dancing alone inside a jam. Entirely normal, and often where the most interesting work happens.
The edge
The perimeter of the room where people rest, watch, drink water and re-enter. Watching from the edge is participation, not absence.
Contact point
The single place where two bodies touch. Keeping it singular is what stops the dance becoming a grapple.
Duet
Two dancers. The basic unit of the form, though CI also happens in trios and larger groups.
Open jam
A jam with no experience prerequisite. If a jam is closed to beginners, the listing will say so.
Consent practice
The habit of asking, declining and renegotiating inside the dance. Treated as part of the technique rather than a policy.
Words learned, next step is a room
The vocabulary makes sense about ten minutes into your first jam, not before.
Miami Contact Improv (2026). Contact Improvisation glossary. miamicontactimprov.com. https://miamicontactimprov.com/glossary